Index Librorum's Maps, assorted projects, and Gaea tutorials
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V3 of Project Albus has been released:
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The map now offers support for up to 12 players (6v6). Some mexes have been added, others removed, still others moved to new locations to accomodate the new spawns.
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Overal reclaim has been reduced by roughly 30%, as there was too much 'safe' reclaim available at the back of the bases. Total safe reclaim near each spawn is now approximately 2k per player.
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Two small civilian outposts have been placed at the sides of the main lane and some mexes have been moved to the middle to provoke some more aggressive fighting in the main lane.
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Some of the mountain passes have been smoothed to make sending small armies through the mountain less of a pain.
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Gaea tutorial: Texturing in Gaea
A copy of this tutorial is available on the FAF wiki.
This tutorial focusses on texturing your maps with Gaea.
Using Gaea to texture your map can be used as a way to quickly experiment with different aestethics, to verify your masks are set up correctly, and as the basis for map-wide albedo decals. This tutorial will explain how to quickly design a possible map design, set up Gaea in a way that emulates how the FAF editor applies textures, and how to use this to create a textured map.
In the end, creating texture designs is a matter of taste. I normally prefer creating maps that look and feel like they are mostly natural, and make my design choices accordingly. However, given that this game of ours is about big robots fighting on alien planets, it is up to you to decide what colour and style your rocks, sand, ice, and 'grass' have. As such, in this tutorial I will try and show you the concepts behind creating these kind of map designs, rather than show you how to make any specific map designs.
Figure 1: Example of a non-textured and textured version of my map Project Albus in Gaea.
Prerequisites
This tutorial assumes you've got a basic understanding of image editing and FAF mapping. Additionally, it is suggested you familiarize yourself with the concept of visual node based programming. A very rudimentary understanding of Gaea is also required: while I will discuss the relevant nodes and how they work, I will leave familiarizing yourself with the software for self study. Watch a few youtube tutorials on the basics, or read the general introduction to Gaea here.
Required for this tutorial is a copy of Gaea (the indie version is free to use and more than sufficient for maps up to 20km), which can be downloaded here. Additionally, an image editor such as Photoshop or Gimp is required, though the free to use online photoshop-clone Photopea works fine too. Lastly, you will need the the FAF map editor.
As with texturing in the FAF editor, applying textures to specific areas of the terrain requires masks. Creating masks in Gaea is relatively simple, but allows for high detail and complexity. As such, a seperate tutorial has been made available here.
- General introduction to GaeaOfficial documentation
- Producing terrain masks in GaeaProducing stratum masks for texturing
Terminology
In my conversations with others in the FAF discord's mapping-general channel, I've come to realize that explaining certain concepts can be a bit challenging, primarily due to the lack of clear definitions and names for some elements. To ensure that we're all on the same page, please refer to the terminology page for definitions of mapping-related terms.
In this tutorial specifically, I will be using the noun texture to mean those little tile-able images you may use in the FAF editor to cover a stratum. The verb to texture will be used to refer to everything that has to do with applying colour and textures to the terrain. When using colour-nodes in Gaea to add colour to the terrain, I will be refering to the product of those nodes as a texture design or map design. Such a map design can be used to create what other tutorials refer to as map wide albedo-decals or texture decals, the use of which is explained in a seperate tutorial.
Note that the terminology list does not include the specific names for less common terms, such as the names of elements of Gaea, as those are defined in their respective tutorials.
A review of texturing basics
In this tutorial I will introduce a workflow that aims to emulate the way that textures are applied in FAF. We will setup a graph that emulates a maximum of nine stratums, one base stratum and 8 stratums with accompanying stratum masks, stacked on top of eachother. However, the texturing in Gaea will always be an approximation of what the map will look like in the FAF editor, as the approach differs in a few critical areas. Firstly, FAF uses tiled textures: textures are repeated over the map and exposed to certain parts of the terrain using masks. Interestingly, in some way this results in both higher and lower resolution. The resolution of the textures for each pixel of the heightmap will be bigger in game: the tiled textures, especially at a low zoom-level, will result in far higher pixel density per area of the map than compared to a map-wide decal. However, since these textures are tiled, the textures aren't specific to individual pixels of the terrain heightmap, except in the sense that they are exposed to specific parts of the terrain.
Alternatively, you could texture a map using a map-wide albedo decal. Unlike tiled textures, this approach will allow you to be very specific in assign colours and texture to specific parts of the map. However, due to file size restrictions you will not be able to approach the resolution per heightmap-pixel that tiled textures will provide you. Although 16K textures might suffice for 5km maps, generally the resulting file size makes using this approach prohibitive. As a result, map-wide albedo decals should not be depended on to texture the full map without support from the tiled textures.
A better approach, to get the best of both methods, is to create a textured map in Gaea, use the result to render a map-wide albedo decall, and use that decall to support and enhance the textures applied by using the stratum layers and stratum masks. As the approach here detailed requires you to setup stratum masks anyway, using this method should not be much more effort.
Colour nodes
To texture your heightmap, there are several important nodes that you should familiarize yourself with. These nodes generally are coloured purple, designating that these nodes provide or process colour-data. Similarly, the
combine
node, which normally maintains a light blue colour to indicate it being part of the 'Adjustments' group of nodes, will turn purple when used to combine colour layers.Quick Colour
A basic node that creates colour is the
QuickColor
node, which generates a gradient using two selected colours. This gradient is applied to the heightmap using the height values: the first colour is assigned to the highest part of the heightmap, and the second colour is applied to the lowest part, with all other colours of that gradient applied to the values in between these two extremes. A bias slider is available to shift the middlepoint of the gradient in either direction, letting you adjust how the gradient is applied to the heightmap. Increasing the value for Input noise will make the gradient noisy rather than smooth.Aside from using the gradient this node can produce, you may choose to select the same colour for both options, creating a single colour. When combined with the
Constant
node, this can be used to create a flat plane of one pure colour, which is a good way to approximate the result you would achieve in the FAF editor—an approach that will be discussed in detail below.CLUTer and Synth
The
CLUTer
node is, in essence, an advanced version of theQuickColor
node. Rather than selecting two colours to form a gradient between,CLUTer
allows you to select multiple colours, and move these colours along the gradient, to create complex gradients. TheSynth
node behaves similarly, but allows you to provide an image to sample the colours from. These two nodes can be used to create more complex colour patterns, and might be used to create map-wide albedo textures.SatMap
The
SatMaps
node is similar to theCLUTer
andSynth
nodes, but provides complex gradients out of the box. Several hundreds of gradient presets based on satelite images are available, such as those based on mountains, deserts, and other iconic terrain. This node is a fantastic way to add a lot of colour detail to your texture, although some finetuning is often required; as these gradients were made with complex terrain in mind, the often simpler heightmaps made for FAF maps might not always produce great results out of the box.Experimenting with this node in my past projects, I've found that the best SatMaps are those with smoother gradients and fewer distinctly different colours. Additionally, by adding additional geometry to the terrain, or by using Data nodes that generate detail data masks, such as the
Texture
,Soil
,Rockmap
, orSurfTex
nodes, you usually can get better results.Combining several SatMaps, limited to specific parts of the heightmap by masks, is a great way to get a complex and well textured map quickly.
ColorFX
The
ColorFX
node serves as a way to make adjustments to colour-related nodes, in the same way that theFX
node allows you to make adjustments to heightmap greyscale values. Some colour nodes have a post-processing menu, but for those that don't this node offers all the same adjustments. This node may be used to do such things as adjust the brightness and contrast; make adjustments to the hue, saturation, and lightness (HSL); apply autolevel, equalize, or gamma adjustments; and perform adjustments that affect clarity, noise, and blur.Creating a map design
Figure 2: Overview of simple setup using SatMaps to texture the map Project Albus
Combining several different
SatMaps
together is a great way to quickly brainstorm different designs, or to make a map-wide albedo decall, without having to prepare the exact setup needed to emulate how the FAF editor would treat different stratum layers. Usually, I tend to create a map design by building different layers on top of eachother, in the same way you would see different layers of materials out in nature.As mentioned, combining several
SatMaps
together usually works rather well. Combining these is as simple as creating twoSatMaps
nodes, connecting their inputs to the terrain (or such nodes asTexture
,Soil
, etc.) and then connecting both to theCombine
node. Generally, the mode 'Blend' works best, and the strength of the combine node may be adjusted to get the preferred effect. Using the mask-input of theCombine
node, we can guide where each of theSatMaps
is exposed.Example: Map design for Project Albus
SatMaps really start to shine when combined with other SatMaps node using more complex masks. This setup does the following:
- The first
SatMaps
takes the input from a Texture node, and creates a base layer of grey rock with some lighter grey highlights. - This
SatMaps
is combined with one that is mostly white, which textures the first snow layer of the map using the corresponding 'snow' mask, which was prepared earlier (not shown). - A
QuickColor
node is used to create a simple gradient to add in the colour for the water. Though this could be skipped, as water is added not by textures but by the dedicated water settings, but I have added the water here to give a better sense of the overal aesthetics. The mask used for thisCombine
node is derived from aSea
node (not shown). - A third
SatMaps
brings in several shades of blue to texture ice. The mask for this layer has been warped and otherwise manipulated so that the texture is not applied symmetrically, which I've found looks significantly better and does not affect gameplay. - The second
SatMaps
is re-used to apply a thinner coating of snow on top of the ice. This results in a better blend between the ice and the snow, and really sells the idea of snow having fallen/been blown on top of the other terrain. - A second snow-coloured
SatMaps
is used to add additional details to the terrain. The difference is difficult to see on the images above, but significant when seen in Gaea and the FAF editor.
Combined, we now have a well-textured map, one that was relatively quick to set up, which can serve as a reference when setting up the final stratum masks to texture the map in the FAF editor. To test the stratum masks, the FAF editor can be emulated within Gaea.
Figure 3: Result of combining SatMaps following the setup of Figure 2 using masks (set-up not shown)
Emulating the FAF editor
The FAF editor takes textures, tiles them, and then applies them to the terrain in places specified by the stratum masks. A total of 10 stratums are available although only eight will accept a stratum mask, with the remaining two stratums serving as a base and top layer. These stratums are stacked on top of eachother, with each successive stratum applying the texture on top of the previous. To emulate this approach in Gaea, we need to recreate all of these elements.
The tiled textures cannot be replicated within Gaea in the same level of detail. Instead, we can approximate the textures by creating a solid colour swatch using a
Constant, 0%
and aQuickColor
node. This is important, because any variation in colour should come as a result of the interpretation of the mask and the blending, not from this 'fake' texture.Eight sequential
Combine, Blend, 100%
nodes emulate the eight stacked stratum layers, with each nextCombine
node using the input from the previous to add new content to. Just as how the FAF editor does not allow different stratums to blend with variable strength, the blending strength of theCombine
node should remain at 100% for all nodes. Any customization to the strength of the blending of the layers should be performed on the masks instead.As the
QuickColor
nodes are connected to the flat plane provided by theConstant
node, Gaea will not show the textures applied to our heightmap by default. To provide the right underlay, the last node of the heightmap graph should be pinned (by selecting the node pressingG
, or by right clicking the node and selecting 'Pin as Underlay'). If you have organized your graphs over several graph tabs, you might want to create a portal from the last node of the heightmap graph, and adding a chokepoint or other placeholder node connected to that portal to allow quick selection of the terrain for underlaying.Figure 4: Emulating the FAF editor by sequentially stacking
Combine
nodes and feeding themQuickColor
nodes and masks.With carefull tweaking of the masks and selecting the correct color in the
QuickColor
node, it is possible to get very similar results as provided by theSatMaps
node based texture design. Once the design is complete, both the stratum masks and theQuickColor
nodes may be exported to recreate the design within the FAF editor. If theQuickColor
nodes are exported as well, they may be used instead of the default textures to get the most accurate recreation of the Gaea design.As these 'textures' consist of single coloured planes however, this approach will not provide you with the same level of resolution proper textures will provide.
Creating custom textures in Gaea
Thus far, we have explored how we can use Gaea to get a map design together, focussing on the larger work of texturing the map as a whole. However, we can also use Gaea to create the tileable textures that we can use in the editor to decorate the terrain with. Creating such textures in Gaea has the benefit that you can tailor your textures to your map specifically, with infinite customizability and without having to navigate any issues stemming from license restrictions.
To work well in the FAF editor, any texture we make should be tileable: repeating the texture should not result in obvious seams. Luckily, there are a few node that we can use to achieve this with little effort. Furthermore, we would like to generate a corresponding normal-map for our texture as well. In regards to the resolution of the texture, we have to keep in mind that the filesize of the texture increases significantly at higher image resolutions. Generally, 512px textures will suffice, although 1k textures are certainly possible and producing these comes at no extra effort with the way Gaea allows us to select the export resolution at any step of the process.
Example: Ice texture for Project Albus
For Project Albus I created an ice texture, matched to the shades of blue I previously selected while making the texture design. For this texture, I wanted to cracks in a sheet of ice, with some colour variation throughout the ice and some traces of snow or scuffed ice. (See figure 5 below).
Figure 5: Custom ice texture created for Project Albus
To start, I used a combination of two
Voronoi
nodes at different scales: one larger for the main cracks, and one with a smaller scale to add more detailed cracks throughout. TheVoronoi
node is perfect for this, as this node creates organic looking wave and crack-like patterns, and the node provides several settings that make it easy to scale or randomize the result. The two voronoi nodes used the following settings:- Main node:
Voronoi [Voronoi: Scale 82, Jitter 45, Seed 102163], [Warp: Complex, Freq 10, Amp 17, Oct 12], [Advanced Set.: ScaleX 1.0, ScaleY 1.0, Funct Euclidian, Form D], [Modifying pannel: [CLMP 0, 2]]
. - Secondary node, adjustments from main node only:
Voronoi [Warp: Amp 14], [Advanced set.: ScaleX 2.0, ScaleY 2.0]
These values were the result of some experimentation, and should be considered as guidelines. Most important for this use was setting the mode to
'D'
, as this designates the type of algorithm the node uses to generate the noise. Different modes create very different results. Warp settings were adjusted until there was some unevenness, while maintaining the general regularity expected from ice-cracks.The two nodes were combined using a
Combine, Add, 14%
node. This low blend-strength results in some of the details from the secondary node being added to the main node, but without completely overtaking the whole or making the texture too visually 'busy'.As the main terrain for this texture is now completed, the output of this node is used to create a normal-map using the
Normal Map
node. Designing the colours for this texture is, again, the result of experimenting with, and continued adjustments of, different settings. In general however:- Several 'Data' nodes were used as the inputs for the
QuickColour
andSatMaps
nodes. These include theTexture
,Soil
, andSurfTex
nodes. The goal of these nodes is to provide more colour variation and noise than what would result from connecting the colour nodes directly to the heightmap. - Several stages of
QuickColor
nodes with slightly different inputs and colour settings are blended together, to get more complex variation in colour. - White highlights are added using the
SurfTex
nodes.
To ensure that the texture was seamlessly tileable, the two voronoi nodes were, initially, individually attached to a
Seamless
node, which adjusts the edges of the texture to ensures that it will be able to be tiled seamlessly. Later tests in the editor showed that adding aSeamless
node before colourizing the texture would result in a visible line regardless of the now seamless terrain. To resolve this issue,Seamless
nodes were added after the texture was colourized. AsSeamless
nodes will not accept the 3-channel colour outputs provided by colour nodes, anRGBSplit
node was used to seperate the 3-channel input into 3 1-channel outputs, which were individually connected to aSeamless
node before merged back into 1 3-channel output using theRGBMix
node, which resolved the issue. Similarly, aSeamless
node was added between theCombine
node containing the completed terrain and theNormal Map
node that was previously connected directly. The settings of all theSeamless
nodes were, naturally, identical.Final colour corrections were made using the
ColorFX
node, including adjustments to brightness and contrast, HSL, and autolevel. Lighter and darker versions of this texture were similarly created using additionalColorFX
nodes, adjusting the brightness and contrast, as well as the HSL as necessary.Figure 6: The complete graph for the Ice texture. Note that the two
Seamless
nodes connected to theVoronoi
nodes are bypassed, which de-activates their effects. These two nodes were left in the graph to support the above explanation on the use of theSeamless
nodes.Remaining questions
This tutorial should provide you with all the basic knowledge needed to start making your own map design and custom textures. However, if you are left with questions or need help, your best bet is to check with people in the FAF discord Mapping-General channel. Alternatively, you may send me (IndexLibrorum, or Prohibitorum) a PM on discord, or leave a message on the forum.
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V7 of Project Albus has been released:
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After playtesting the map, some mexes have been added, others removed, still others moved to new locations to better balance the slots.
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Reclaim has been slightly rebalanced.
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The blinking 'beacon' type building was removed from the civilian bases, because it was very distracting.
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Some changes to decals and texturing should make the terrain, including the mountain passes, easier to read.
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Project Albus has been submitted for review for the matchmaker pool.
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God, these maps all look amazing.
Can't wait to play them! Maybe i'll even become a mapper myself; seeing this sure does motivate me. -
Hi Index, I wanted to give Gaea a test run to export one of my height maps and tweak the terrain a bit then import it back into the Map Editor. Problem I ran into is, I was able to create different nodes in GAEA and got my heightmap looking the way I wanted it with 3 different nodes, but when I tried to mark for export and Build them, nothing appears in the folder I created to export them....what could I be doing wrong? a quick window pops up that looks like a DOS screen when I hit the build button, but nothing gets created in the folder I created to Build it/Export it to
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ok got it working now to save the nodes to files...however now when I try to import new GAEA modified heightmap back into a my Map editor its says wrong file size
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ok i think i got it....when you build the nodes you have to select the proper resolution of the map size +1 for it to import properly as a height map in the editor.....thanks for your help
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@oncehandsome Yea, you got to mark a node for export, and then set the filetype and resolution that you need. I'll see if I can make sure that information is clearly explained in the tutorials.
I don't consistently keep an eye on the forum, so if you have questions for me or need help w/ Gaea your best bet is to send me a message on discord.
@Inspexor Glad you like 'em! Definitely give mapping a try. We've got loads of resources to help you get started, and a decently sized group of people who are more than willing to give you a hand. Add me on discord if you wanna have a chat about Gaea or have questions etc.
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This once lush and verdant garden world hosted a classified UEF research facility, researching the first components of the Black Sun doomsday device. We do not know what happened, but all that is left now is a crater and the scattered remnants of the research complex, the planet razed to the ground. // CC BY-NC-SA 4.0. AI compatible.
For the 'Brigadier Fletcher' tournament I submit Project Vortex. The map was designed as a all-out navy brawl: every bit of terrain gained will come with another mex for you to claim. Small islands, many with mexes and/or chunks of reclaim are scattered across the map. Most of these islands are low enough that frigates will be able to shoot over them, although some larger ones have some cliffs and mountains.
The spawns are located on the top left and bottom right corners, with two players starting in the water. To start off, these water spawns get two hydros, but will then have to find dry land to expand their powergrid and build non-navy factories. The remaining corners provide some more reclaim, as well as larger islands that allow for some very aggressive forward factories.
Thematically, this map shows the result of a scientific disaster: all that remains of the research facility that was once present on this planet is a large crater in the center. What survived of the buildings from the research complex was blasted outwards, and later moved around by the water that ended up filling the crater. The effects on the region as a whole was disastrous: no life remains. Only the charred husks of what were once large forests teeming with life provide an indication that this was once a verdant garden world. Across the map you'll find many buildings that have since gotten stuck or washed ashore of the many islands. Some newer structures include UEF cranes and a civilian base, indicating that the UEF has started salvaging efforts.
The center of the crater remains a danger to this day, and it is not recommended that commanders are dropped into the deep.
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Something that might feature in a future map... ALIEN EGG.
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Does it hatch?
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@indexlibrorum said in Index Librorum's Maps, assorted projects, and Gaea tutorials:
The center of the crater remains a danger to this day, and it is not recommended that commanders are dropped into the deep.
...what happens if you do??
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...what happens if you do??
I will leave figuring that out as an exercise to the reader
Alternatively, a relevant quote from one of my favorite books:“And so the First Under the Night came across a portal where great danger might lurk, and upon witnessing it halted and sought the council of Sve Noc. ‘O Night,’ said the First, ‘what wisdom do you offer?’ And so the Young Night answered thus: ‘Try a foot first.'”
– Extract from the ‘Parables of the Lost and Found’, disputed Firstborn religious textDoes it hatch?
Just a terrain piece! Be glad for it, I doubt whatever would be in an egg like that would be friendly.
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Several interesting updates!
Project Mesa HD
Project Mesa was the first map I ever made. It was also the first project I made in Gaea. Consequently, on both the map-making side and the Gaea side there was a lot of room for improvement.
So improvements were made! Released under the new name 'Project Mesa HD', the new map features several fixes to the terrain (which mostly focus on flattening and scaling the map to solve height-related issues), some changes to the mex layout, better reclaim, and much improved use of decals. Pictures at the end of the post.
I have one or two areas left that I can work on to further improve the visuals of this map and may update again in the future, but for now you can find Project Mesa HD in the mapping vault and in this month's 4v4 matchmaking queue.
A github repository for project Mesa assets and project files
I have released a github repository which contains a growing set of decals and textures related to the Project Mesa HD map. The textures and decals will soon become part of the main FAF repository, and thus become available for everyone to use through the FAF editor.
Along with these new mapping assets, I have included the Gaea project files that were used to create the map and assets. If you're interested in working with Gaea, you may want to have a look at how I've created this map and the decals.
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This newly discovered garden world would be a great place to start a new farming colony, commander. Secure it for us! // Licensed under CC BY-NC-SA 4.0. This map is AI compatible.
Project Tumulus is a 5x5km map made for 1v1's. This map's relatively simple, featuring a decent amount of mexes, lots of reclaim to manually click, and a nice autumn theme on low rolling hills. A good fit for the 500-1000 1v1 bracket.
While there are enough rocks scattered across the map, in such places that you'll have to send your engineers to go out of their way to get them, most of the mass on this map is actually part of the tree groups. The higher rated players may find a challenge in making sure at least some of those tree groups remain intact clumps, or in making sure that no clumps survive on the other side of the map.
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You really make beautiful maps Index
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@snoog Glad you like, thanks for the kind words
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good maps, sadly i stopped playing faf
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@noble_ice Time to come back just for my maps
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@indexlibrorum well you are tempting me but no. when balance despots fix cybrans and stop favoring uef i will come back.. i will just try mods like m28ai, but the maps are so good all of them.